Book Review: Schild’s Ladder

“Schild's Ladder” by Greg EganGreg Egan is one of the most eminent contemporary authors in the genre of “hard” science fiction. By “hard”, one means not that it is necessarily difficult to read, but that the author has taken care to either follow the laws of known science or, if the story involves alternative laws (for example, a faster than light drive, anti-gravity, or time travel) to define those laws and then remain completely consistent with them. This needn’t involve tedious lectures—masters of science fiction, like Greg Egan, “show, don’t tell”—but the reader should be able to figure out the rules and the characters be constrained by them as the story unfolds. Egan is also a skilled practitioner of “world building” which takes hard science fiction to the next level by constructing entire worlds or universes in which an alternative set of conditions are worked out in a logical and consistent way.

Whenever a new large particle collider is proposed, fear-mongers prattle on about the risk of its unleashing some new physical phenomenon which might destroy the Earth or, for those who think big, the universe by, for example, causing it to collapse into a black hole or causing the quantum vacuum to tunnel to a lower energy state where the laws of physics are incompatible with the existence of condensed matter and life. This is, of course, completely absurd. We have observed cosmic rays, for example the Oh-My-God particle detected by an instrument in Utah in 1991, with energies more than twenty million times greater than those produced by the Large Hadron Collider, the most powerful particle accelerator in existence today. These natural cosmic rays strike the Earth, the Moon, the Sun, and everything else in the universe all the time and have been doing so for billions of years and, if you look around, you’ll see that the universe is still here. If a high energy particle was going to destroy it, it would have been gone long ago.

No, if somebody’s going to destroy the universe, I’d worry about some quiet lab in the physics building where somebody is exploring very low temperatures, trying to beat the record which stands at, depending upon how you define it, between 0.006 degrees Kelvin (for a large block of metal) and 100 picokelvin (for nuclear spins). These temperatures, and the physical conditions they may create, are deeply unnatural and, unless there are similar laboratories and apparatus created by alien scientists on other worlds, colder than have ever existed anywhere in our universe ever since the Big Bang.

The cosmic microwave background radiation pervades the universe, and has an energy at the present epoch which corresponds to a temperature of about 2.73 degrees Kelvin. Every natural object in the universe is bathed in this radiation so, even in the absence of other energy sources such as starlight, anything colder than that will heated by the background radiation until it reaches that temperature and comes into equilibrium. (There are a few natural processes in the universe which can temporarily create lower temperatures, but nothing below 1° K has ever been observed.) The temperature of the universe has been falling ever since the Big Bang, so no lower temperature has ever existed in the past. The only way to create a lower temperature is to expend energy in what amounts to a super-refrigerator that heats up something else in return for artificially cooling its contents. In doing so, it creates a region like none other in the known natural universe.

Whenever you explore some physical circumstance which is completely new, you never know what you’re going to find, and researchers have been surprised many times in the past. Prior to 1911, nobody imagined that it was possible for an electrical current to flow with no resistance at all, and yet in early experiments with liquid helium, the phenomenon of superconductivity was discovered. In 1937, it was discovered that liquid helium could flow with zero viscosity: superfluidity. What might be discovered at temperatures a tiny fraction of those where these phenomena became manifest? Answering that question is why researchers strive to approach ever closer to the (unattainable) absolute zero. Might one of those phenomena destroy the universe? Could be: you’ll never know until you try.

This is the premise of this book, which is hard science fiction but also difficult. For twenty thousand years the field of fundamental physics has found nothing new beyond the unification of quantum mechanics and general relativity called “Sarumpaet’s rules” or Quantum Graph Theory (QGT). The theory explained the fabric of space and time and all of the particles and forces within it as coarse-grained manifestations of transformations of a graph at the Planck scale. Researchers at Mimosa Station, 370 light years from Earth, have built an experimental apparatus, the Quietener, to explore conditions which have never existed before in the universe and test Sarumpaet’s Rules at the limits. Perhaps the currently-observed laws of physics were simply a random choice made by the universe an unimaginably short time after the Big Bang and frozen into place by decoherence due to interactions with the environment, analogous to the quantum Zeno effect. The Quietener attempts to null out every possible external influence, even gravitational waves by carefully positioned local cancelling sources, in the hope of reproducing the conditions in which the early universe made its random choice and to create, for a fleeting instant, just trillionths of a second, a region of space with entirely different laws of physics. Sarumpaet’s Rules guaranteed that this so-called novo-vacuum would quickly collapse, as it would have a higher energy and decay into the vacuum we inhabit.


Six hundred and five years after the unfortunate event at Mimosa, the Mimosa novo-vacuum, not just stable but expanding at half the speed of light, has swallowed more than two thousand inhabited star systems, and is inexorably expanding through the galaxy, transforming everything in its path to—nobody knows. The boundary emits only an unstructured “borderlight” which provides no clue as to what lies within. Because the interstellar society has long ago developed the ability to create backups of individuals, run them as computer emulations, transmit them at light speed from star to star, and re-instantiate them in new bodies for fuddy-duddies demanding corporeal existence, loss of life has been minimal, but one understands how an inexorably growing sphere devouring everything in its path might be disturbing. The Rindler is a research ship racing just ahead of the advancing novo-vacuum front, providing close-up access to it for investigators trying to figure out what it conceals.

Humans (who, with their divergently-evolved descendants, biological and digitally emulated, are the only intelligent species discovered so far in the galaxy) have divided, as they remain wont to do, into two factions: Preservationists, who view the novo-vacuum as an existential threat to the universe and seek ways to stop its expansion and, ideally, recover the space it has occupied; and Yielders, who believe the novo-vacuum to be a phenomenon so unique and potentially important that destroying it before understanding its nature and what is on the other side of the horizon would be unthinkable. Also, being (post-)human, the factions are willing to resort to violence to have their way.

This leads to an adventure spanning time and space, and eventually a mission into a region where the universe is making it up as it goes along. This is one of the most breathtakingly ambitious attempts at world (indeed, universe) building ever attempted in science fiction. But for this reader, it didn’t work. First of all, when all of the principal characters have backups stored in safe locations and can reset, like a character in a video game with an infinite number of lives cheat, whenever anything bad happens, it’s difficult to create dramatic tension. Humans have transcended biological substrates, yet those still choosing them remain fascinated with curious things about bumping their adaptive uglies. When we finally go and explore the unknown, it’s mediated through several levels of sensors, translation, interpretation, and abstraction, so what is described comes across as something like a hundred pages of the acid trip scene at the end of 2001.

In the distance, glistening partitions, reminiscent of the algal membranes that formed the cages in some aquatic zoos, swayed back and forth gently, as if in time to mysterious currents. Behind each barrier the sea changed color abruptly, the green giving way to other bright hues, like a fastidiously segregated display of bioluminescent plankton.

Oh, wow.

And then, it stops. I don’t mean ends, as that would imply that everything that’s been thrown up in the air is somehow resolved. There is an attempt to close the circle with the start of the story, but a whole universe of questions are left unanswered. The human perspective is inadequate to describe a place where Planck length objects interact in Planck time intervals and the laws of physics are made up on the fly. Ultimately, the story failed for me since it never engaged me with the characters—I didn’t care what happened to them. I’m a fan of hard science fiction, but this was just too adamantine to be interesting.

The title, Schild’s Ladder, is taken from a method in differential geometry which is used to approximate the parallel transport of a vector along a curve.

Egan, Greg. Schild’s Ladder. New York: Night Shade Books, [2002, 2004, 2013] 2015. ISBN 978-1-59780-544-5.


Author: John Walker

Founder of, Autodesk, Inc., and Marinchip Systems. Author of The Hacker's Diet. Creator of

7 thoughts on “Book Review: Schild’s Ladder

  1. Thanks for the review–I probably won’t read the book but your review has stimulated some thoughts that I might be able to incorporate in my own writing.

  2. If you’re writing a series, you need to try hard to have each installment be a stand-alone story with its own conflict and resolution that clears up a satisfyingly large portion of the open mysteries. If you have a gun on the set in Act 1 it must have fired by Act 3, and conversely, if a gun fires in Act 3, it must have been on stage in Act 1 (Chekhov’s Gun).

    Sure, in the context of a series you can leave a few open questions to be resolved in the latter installments. That’s all part of the fun, and what makes a series work – it lets you tell a story simultaneously on two levels, the level of the individual story and the level of the story arc of the series. But both have to work for the series to be any good.

    I really hate it when I get to the end of the book and there hasn’t been a decent amount of closure. There’s no excuse for that kind of inept story telling.

  3. I’ve read something by Egan, but I read up on him a bit and cannot figure out what.  It may be in the stacks upstairs.

    Meanwhile, it sounds like he’s discovered ice-9.

  4. Haakon Dahl:
    I’ve read something by Egan, but I read up on him a bit and cannot figure out what.

    In addition to the novels, he’s also written a lot of short stories which have been published as collections.  I read one of these, Axiomatic, and enjoyed it a lot.  This was before I started the reading list in 2001.  I also read, and enjoyed Distress, prior to the list (he was way ahead of his time in that one, introducing five new genders and pronouns for gender-neutral people—this is not the main theme of the novel, however).

    In 2017 I read and reviewed Dichronauts, another of his extreme world-building exercises, this one about a universe with two time-like dimensions.  That is another imaginative tour de force, but in my opinion does not work as a stand-alone story: you really need to read the extensive background information on Egan’s Web site in order to figure out what’s going on and how things work and, once again, the story just stops at the end without any real resolution of the central part of the plot.  I expected when I read it that a sequel might be coming along but so far that hasn’t happened.  (Egan doesn’t tend to write series of books: it’s usually one and done for each exercise in world building.)


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