The Smithsonian National Museum of African American History and Culture , a taxpayer-funded Federal institution which opened in September, 2016 and funded in part by million dollar gifts from Microsoft and Google, has published a document on their Web site, “Whiteness”, which contains the following infographic, which I have broken up into two parts to fit better here. Here is the first page, which continues after the break.
The television series Mars, produced by National Geographic and originally aired on their cable channel in 2016, is a curious mix of present-day documentary and fictional story of the human settlement of Mars, with the first crewed landing mission launching in 2033. The first season is set in the years 2033–2037 and chronicles the establishment of the first settlement and its growth into a fledgling base, similar to scientific research stations in Antarctica. The series cuts back and forth between the present and the fictional future, with the present-day segments interviewing figures such as Stephen Petranek, author of How We’ll Live on Mars, upon which the story is based, Robert Zubrin, creator of the Mars Direct mission plan, Elon Musk of SpaceX, Andy Weir, author of The Martian, and Neil deGrasse Tyson. The mission is mounted by a fictional international consortium called the “International Mars Science Foundation” (IMSF), which has all of the squabbling and politics you’d expect for something with such a name. The fictional part of the first season is pretty good, and in line with capabilities expected to exist in the time in which it is set.
The second season is something else entirely. Set in 2042, it chronicles the arrival of the first private venture on Mars, “Lukrum Industries”, aimed at resource exploration and development. Lukrum has negotiated a deal with IMSF in which it will produce solar mirrors from in-situ resources which will be employed in IMSF’s terraforming project, which hopes to warm the planet to release water trapped as ice below the surface. This veers immediately into the “corporations bad, government agencies (especially multinational ones where all of the minions speak perfect English with suitably exotic accents) good” trope. The present-day segments are almost entirely about human despoliation of the Earth, with a concentration on “climate change”. This feeds into the fictional future story, where the evil corporation (eventually in cahoots with the Russians, who were too tempting to leave out as villains), is simultaneously thwarting the noble goals of the taxpayer-funded scientists, while using its lucre to manipulate IMSF back on Earth to acquiesce in its evil schemes.... [Read More]
I heard this on NPR:
“I think there’s a pretty major impact if you just look at the numbers,” says Victor Shih, a political economist at the University of California, San Diego, who studies the Chinese economy. China exports more goods to the U.S. than to any other country in the world, and those exports have dropped by more than 12% this year alone, he says.... [Read More]